St. John's Anglican Church, Richmond

Last week, I had my first experience painting "en plein aire," French for "in the open air." For those of you who have never heard of that, it means that the artist paints outside, exposed to all the elements, straight from life. Let me tell you, it's very different from painting from a photo...mainly in that there's no cropping feature when you've got a wide panorama in front of you. I rely on my computer far more than I realize. I loved experimenting with the much looser style than I am used to painting indoors. You also have to paint quickly enough that you don't lose track of your lighting from when you started the painting.

A friend that I paint with from the gallery was kind enough to organize this for us at the Old South Plantation in Richmond. Located on the plantation is this quaint church, St. John's Old South Anglican. The plantation home was built in 1890, but I neglected to find out the history of the church itself and now can't find anything about it online.

I chose the angle from the pond across the road as I wanted the reflection of the church in the water. Strange noises which members of my group identified during our lunch break as ALLIGATOR made for a less than relaxing finish to my painting day. I was constantly looking behind me to make sure nothing was back there. I'm pretty happy with my first attempt, even if I did rush the end!

Study After Fragonard - Finished

I finally finished my version of Fragonard's "Young Girl Reading" with J. as my model. I was nervous to show her after I finished the face, but when I pulled it out of the car to show her, she said, "Mom, it looks just like me!" Whew! As one of my best and most honest critics, I knew she wouldn't let me get by with less. I think I solved the problem of the hand by staying true to Fragonard's version, but trying to make it a little more realistic.

In a continuation of Sister Wendy's opinions of "Young Girl Reading," she states: "What Fragonard seeks here is to show us the innocent bloom of young beauty, and its capacity for reverie." You'd have to ask J what book it is that she'd like to be reading.

I can't wait to get it framed as soon as it's dry! I hope you have enjoyed seeing the entire process of how this painting came about.

"Southern France," Study after Andre Derain

Another "Study For My Study," Andre Derain's Southern France, was also found in my copy of "Thousand Masterpieces" by Sister Wendy and inspired me to see what I could learn from doing a study of it (The colors also go well with my decor!) These are great learning experiences for me. I really wanted to see what it would be like to do a landscape without getting all stressed by the details as I am prone to do. This was thoroughly enjoyable and I had a much greater appreciation for the artist as I tried to understand why he made the decisions he did in painting it. When I first saw it, I didn't really like the white, blossoming trees; but as I progressed, I understood why they needed to be that color for the interest of the overall composition. I'm hoping that this study helped me loosen up a little so that when I do my own landscape in the future I can apply what I've learned.

24"x36" oil on canvas, collection the artist

Progress On Study After Fragonard

I thought some of you might like to see how I progress with a portrait. This one is a little different since I am painting it after a master painting by Fragonard that has already been done (see earlier posting). I'm very happy with the first layer of color, but there is still a long way to go. I'm not sure why Fragonard decided to do such a "cartoon-y" looking hand holding the book(at least from my point of view). I'm not sure if I will leave it or paint it in my own style. The other issue I'm debating about is whether I will settle for it being a representation of J. with her as the model for the girl or whether I will go ahead and try to make it look like her (it really doesn't yet). If I decide on the latter, it will likely mean 6-7 more layers in trying to achieve that likeness. Next time you see it, it will be done!

Study for My Study

I have a spot in my study that was really begging for a painting so I pulled out my "Sister Wendy's 1,000 Masterpieces" in search of inspiration. When an artist paints a copy of an old master, it's called "a study." Fragonard's "A Young Girl Reading," c. 1776, caught my eye (perfect for a study!), but I wasn't satisfied with simply duplicating the original. I persuaded my teenage daughter to pose for me and I used my computer skills to stick her head on top of the original. Here you can see (l to r) the original, the computer revised version, and my first go around with paint as a value study

"J" and I discussed why the artist chose to put a small head and hands on a stocky body (probably hard to see here - I think if you click on the image above, you will be able to see it even closer). and she came to the conclusion that it was most likely a sign of wealth to be on the stocky side back then. "I bet you're right!" I said. Close examination reveals a very strangely large body compared to the size of her hands and head. I also moved the composition over a bit - I didn't care for the way the book went right up against the left edge (sorry Mr. Fragonard) and I had to imagine what the rest of the chair would look like. "J" says the middle one with her head on it is "terrifying" but she likes the value study and so do I. Let's hope that the results will be as satisfying when I start laying in the colors. I'll post it when I'm done.

This could be a lot of fun. The boys now want me to paint their heads on body builders - I don't think so! I offered Gainsborough's "The Boy Blue" (times two!) but they said, "That doesn't sound cool." (I've seen it at the Huntington, and it is cool, but I don't think they'd let me hang it in our house).

John 14:27 - Peace

Calla lilies are another one of my special favorites when it comes to flowers. I snapped a photo of this one in my sister's garden on my last trip to California. As a youth, we had six or seven very large calla lily plants and it was not unusual to cut a bouquet of 20-30 to place in a vase for the house. I was always impressed by their fragile beauty.

As I painted this calla, I ended up with an empty space in the lower right hand corner of the composition and wasn't sure what to do about it. Happily, I thought this might finally be my opportunity to incorporate scripture into my artwork. I thought about the graceful, fragile calla lily and what scripture would be a suitable companion for it. "Peace" was the word that came into my mind and John 14:27 was the match. I think that it's important to remember that the kind of peace the world offers may be a fragile kind of peace whereas the peace that Christ offers is strong and lasting, as noted by the continuation of verse 27: "I do not give to you as the world gives. Do not let your hearts be troubled, and do not let them be afraid."

"California Calla," 36"x36" oil on gallery-wrapped canvas, now available on www.artbymj.com

Postcard From Santa Fe

No, I'm not actually in Santa Fe, but I feel like I've been on an extended vacation as far as painting is concerned. A bad cold after the holidays left me without much energy for creativity. I have several things in the works right now, but nothing ready to show so I decided to share this with you. I painted it for Mother from a postcard or card (can't quite recall) when I was SIXTEEN years old. I can only imagine what my paintings would look like now if I had stuck with painting instead of giving it up. Alas, no point in looking back...I'm glad for all I've learned in just the last year. I had a wonderful discussion with a lady this week who has taught art for 25 years and told me she didn't start until she was 49! Isn't that great?? We are NEVER too old to learn something new. What is it that YOU may have always wished you'd learned but haven't done yet? It's not too late!!

"Postcard From Santa Fe," 5"x7" oil on canvas, private collection.

Painted Ladies

These two lovely paints were painted as an anniversary gift from a husband to his wife. I was fortunate enough to be able to visit them in person and take a series of photos before deciding on the composition with my client. It was a tremendous help when it came to sitting down at the canvas and trying to capture their personalities. I also had the privilege of being there when he presented it to her and that made my heart sing to see the happiness in her eyes when she unwrapped it. It feels good to know you've created something that will be a treasured keepsake.
11"x14" oil on canvas, private collection

Something Different

I stared at the leftover paint on my palette Saturday afternoon and decided to paint from my imagination. To play!! That's a big stretch from me who likes the comfort of a well-planned out piece of artwork, start to finish.

Letting my imagination guide me, I ended up with something very different from usual...and I had a blast doing it. At first glance, this little 8"x10" looks dark and moody (I was wishing for my photographer friend's help with capturing it adequately!) but with closer inspection, you are invited in to one of my favorite hours of the day - that moment of dusk where the remaining glow of the day is barely hanging on and lights are coming on inside homes. For me, it's a magical, dreamy time....it's not yet night, but neither is it still daytime.

Novelist Zane Grey quotes: "People live for the dream in their hearts. And I have yet to know anyone who has not some secret dream, some hope, however dim, some storied wall to look at in the dusk, some painted window leading to the soul."

Dreams at Dusk, an 8"x10" oil on canvas board, is currently available on my website: http://www.artbymj.com/images/Dreams_At_Dusk.html.

Aspen Meadow Gathering

In an earlier post, I showed you a study I did of a mother horse and her foal. Here's the final painting with mother and foal in their entire surroundings: a Colorado meadow on a cloudy summer day. Several times while painting this, I would pause and wish I was really in this spot, enjoying this scenery, breathing in fresh mountain air.

24"x30" oil on canvas, available here.